Telepathy by phone cells.

I've been saving funny images of animal faces for years - just in case I ever needed them.

I need them. Can I find them????.... NO!

But I found strips of negatives. For those of you born after Kodak went down - what's Kodak?

Well, just a brief time ago, in a land that looked a little like the one we inhabit but much slower....

I'm not sorry to get rid of film. I dropped these negs on the floor and they have dust on them - remember that too!

I was just reading a Tweet and it said something about cell phones but my mind flipped the words and I read phone cells...

I laughed out loud and had to read it again - boring it read cell phones. But imagine if there were such things as phone cells, like any other cell, like nano-cells or something to be implanted in your brain.

!!!!

I think those of you who think that this picture is the right way up:

Will think this is a good idea.

And those of you who think this is the road to purgatory will think this is the right way up: 

There's no difference except orientation. 

Oh! But there's one thing missing: the negative.

Where's the negative in this picture?

Phone cells - like we might invent telepathy! What do you think?

 

Clouds and servers. Charles Leadbeater's talk in Brisbane. Quick rundown on cultural developments.

Charles Leadbeater talked about Cloud Culture at QUT by raising the question of who or what should control the clouds - of data that is.
If you leave it up to algorithms it's dicey.
 
Amazon's algorithms recently recommended he buy his own book, We-Think. Facebook's algorithm started a rumour that he and his wife were not on speaking terms because they hadn't written on each other's walls in so long - he assures everyone that they are on more than speaking terms still.
 
He started out telling a room full of academics that he wasn't really one of them - he's a journalist. He worked for the Financial Times. He worked in Weekend TV.
 
Charles Leadbeater (left) with Stuart Cunningham (Creative Industries & Innovation centre of excellence director).
 
But when he started out nobody was asking him what his business model was and no one in the "traditional media" game wondered what their end-users were doing with the content they produced. 
 
All that's changed in the past 10 years. He expects the rate of change to maintain its momentum for the next 10 years.
 
Basically, he thinks that the new business model may lie somewhere on a spectrum between aggregators and Apple - he actually thinks that a process is underway called Applizing.
 
He pointed to the fact that Google's new products - like Buzz - are failing while Apple's selling hundreds of thousands of iPads.
And he thinks Google's search function is second-rate - perhaps that's why Facebook has taken the search crown this year.
 
People tend to concentrate on the ferocious struggle between old and new media but it's the ferocious struggle between the new and newer and still newer media which will determine the landscape of the future.
 
So who does get to control the cloud?
He says it's obvious that governments would have a preference for doing deals with one or two players: Apple and Facebook? There's Apple again.
 
However, he says Facebook is "fatally compromised" because the more it goes commercial the less "social" it becomes - and there's a pesky issue of privacy.
While Apple is upfront about its dealings - it's commercial. It helps you to be cool. Thereby it serves you. (Them's aren't actually his words I'm just interpreting here)
 
And one of his big lines is that it's the renegades and the pirates - the guys who DON'T get government subsidies - who will be the game changers. 
But there's room for all - at the moment anyway.
 
For instance, the UK's pollies spend many hours doing interviews with netmums in this election campaign - which has only 600,000 members.
Clouds will come in many shapes and sizes and compositions - depending on how the governance issues pan out. 
 
The users and creators of clouds will come from a "pebble beach" landscape (METAPHOR) - with large organisations such as aggregators, public institutions, universities, libraries, galleries being the "boulders".  
They will replace the boulders of the industrial era - newspapers, TV etc.
 
And then there's the pebbles - amateur and professionals who blog, create, post, mash ... RT even.
 
Cloud capitalists and governments are possible enemies of cloud access and equity - governments because in an effort to control the cloud they will want to make deals with capitalists.
One interesting question came up in the Q&A: Google's attempt to access cheap hydro power for its server farms.
 
I asked Mr Leadbeater about this slight contradiction between consumption and supply - this carbon footprint problem of the technology revolution.
He admits that it's an issue which few are addressing.

Russell Crowe circa 1994 better than Russell Crowe 2010. My review Robin Hood.

My first gripe with Robin Hood is the overbearing music written by Marc Streitenfeld - it felt like the music was trying to compensate with noise for the dirty, dull colours. I don't know if it's the English weather or the cinematography or just the cinema's projector but it just didn't jump off the screen. I kept thinking of the grime on the Nostromo (Alien) it was at least BLACK black! This is perhaps half the reason that even the swooping supposed-to-be grand aerial shots of the beach and mountains and valleys looked puny, even on a big screen. It is a big screen after all to fill with LIGHT!

The only thing of beauty was the white steed with the flowing mane Robin rides over hill and dale - mine eye did dote for beauty is not else found here.

The performances are ok. Personally, I think Cate Blanchett might have had more to play off if Robert Downey Jr played Robin - he has light and dark in his performances. Russell Crowe seems to have forsaken his lighter side which I liked most before he went to Hollywood in films like Proof or (dare I say it) The Sum of Us. He has become his own antithesis.

 

 

The highlights of this film are the two or three seconds of humour with the "Merry Men". I didn't expect to accept Russell Crowe as any kind of Robin Hood but this isn't Robin Hood as is popularly known so this acceptance came easily.  But! I had to go and see a real "Iron Man" to shake this Robin Hood. I recommend Iron Man 2 - which (if you can believe it) does serve up more of a story than Robin Hood. Save this one for DVD. I liked the documentary style of subtitles letting us know where we were - at the start. They really went for it at the start with a lot of information being thrown around which is confusing. Robin's boyhood flashbacks. The French, the English ... and they kinda of lost me when King Richard DIED! I mean! The whole story of Robin Hood hinges on Richard's return and we know at the start that he's dead? Then I couldn't concentrate on the story running ahead - I then needed subtitles to give me context.

As the movie progressed and the story really didn't satisfy in any way at all I grew to resent it. The love story's lame. Though Crowe and Blanchett do their best.

I couldn't really understand why the writer would put words in their mouths about "It's not a gift if you have to ask" and then make a point of making each of them ask - it was kinda cute but still annoying. And then they broke the romantic tension by giving away the first kiss and the pledge of love before the most dramatic moment of the film - could've done with a bit more story tension as opposed to the din of music and the blur of hoofs. 

I kept looking for visual pegs in the all the action - the action or battle and chase scenes didn't seem structured - or was it the editing? I didn't like it.

It's not a bad movie - although I saw a young couple grow increasingly frustrated and they left the cinema before the end. You will need patience - alas, not a virtue developed among those of us used to being spoon fed our stories. But it's making money at the Take a look for yourself. You'd better see the movie for yourself. I'd like to know what you think.

 

Peter Gabriel covers Paul Simon's Boy In The Bubble. Love it.

 
 
 
 

 
 
"Staccato signals of constant information...." Paul Simon wrote The Boy In The Bubble in 1986. 
"The way we look to a distant constellation that's dying in the corner of the sky ... "

What's mm-fff?

So often it feels like the universe is way too big for an ignoramus to fathom. 
But then the universe speaks out of the blue when your back's turned? 
And what's the interface? 
Existence itself. 
All the things, the people, the breaks, the lack of breaks, songs, everything in existence.
One hell of a game isn't it?
Wouldn't you just love to see the server that pumps all this out? 
Lemonade, The Who, Saturn and mm-fff!
 
When you see the letters mph you know what it means because that little abbreviation is an interface we've learned to use. 
But to a child  - who lives in a country which runs on km/h - mph doesn't compute. She sounds it out. 
What's mm-ff? 
That just confuses me. I look at the computer screen.
She points to the letters mph. 
We laugh so hard we fall off our chairs because it's so simple in the end.
Now you know what mm-fff is - but you knew all along didn't you?
 
Do you know why we put so much emphasis on paying attention? 
Because we exist to cooperate to make sense of the world.
If I miss something then I'm depending on someone else paying attention...
It's easy to let someone else do the thinking for you ... you don't have to pay attention any more.
What did one ignoramus say to the other ignoramus?
I know but I'm not gonna tell you!
Is this what you call a two-edged sword? 
I'm thinking these thoughts in the context of "global village" and "social media" control.
 
"A loose affiliation of millionaires and billionaires .... the way the camera follows us in slow-mo..."
 

Read the lyrics:

It was a slow day 
And the sun was beating 
On the soldiers by the side of the road 
There was a bright light 
A shattering of shop windows 
The bomb in the baby carriage 
Was wired to the radio 
These are the days of miracle and wonder 
This is the long distance call 
The way the camera follows us in slo-mo 
The way we look to us all 
The way we look to a distant constellation 
That's dying in a corner of the sky 
These are the days of miracle and wonder 
And don't cry baby, don't cry 
Don't cry 

It was a dry wind 
And it swept across the desert 
And it curled into the circle of birth 
And the dead sand 
Falling on the children 
The mothers and the fathers 
And the automatic earth 
These are the days of miracle and wonder 
This is the long distance call 
The way the camera follows us in slo-mo 
The way we look to us all 
The way we look to a distant constellation 
That's dying in a corner of the sky 
These are the days of miracle and wonder 
And don't cry baby, don't cry 
Don't cry 

It's a turn-around jump shot 
It's everybody jump start 
It's every generation throws a hero up the pop charts 
Medicine is magical and magical is art 
The boy in the bubble 
And the baby with the baboon heart 

And I believe 
These are the days of lasers in the jungle 
Lasers in the jungle somewhere 
Staccato signals of constant information 
A loose affiliation of millionaires 
And billionaires and baby 
These are the days of miracle and wonder 
This is the long distance call 
The way the camera follows us in slo-mo 
The way we look to us all 
The way we look to a distant constellation 
That's dying in a corner of the sky 
These are the days of miracle and wonder 
And don't cry baby, don't cry 
Don't cry

 

Devil at your heels. Poem on feeling belittled.

Define your fear.

Is it frightening because it's extraordinary?

Too... too .... too ...

There are things to fear besides petty feelings of being belittled by something extraordinary.

Does it crush you like a empty can?

Why are you empty?

Spit it out.

Ah, so it makes you want more?

Be more, or want more?

Take what's not yours and cripple your soul.

Yes go on and own it cripple!

Run with the devil at your heels.

Own or be owned.

Love what you fear.

 

★★★★★


A perfect pikelet. It's just flour, water and salt. No sugar.

It's the consistency of the mix that makes it perfect or not.