Priests of nothing. Poets of our time. Scriff File 240

Reminded today of a song. When at Media 2010 the Director of the American Film Institute's Content Lab Susanne Stefanac played a segment from The Interview Project: http://interviewproject.davidlynch.com/www/#/all-episodes/088-deb_johnson

Saw a beautiful video interview with a guy who described in the most open and delightful way how Stevie Nix's song saved his life.

 

The Interview Project by Austin Lynch and Jason S..http://www.guardian.co.uk/film/filmblog/2009/oct/26/david-lynch-son-interview-project

Discover the H-code with Uma Thurman's dad. Scriff File 241

Got a letter in the post this week which wasn't a household bill.
The 5th Annual Conference on Happiness and Its Causes is on in Sydney in May.
And Edward de Bono, Dr Robert Thurman (that's Uma's dad), Naomi Wolf (Author of The Beauty Myth), Hugh Mackay - even Natasha Stott Despoja (the former leader of the Democrats) are speaking about how are we to live.
It's a great question. I was thinking about this as I flew over my beautiful city at night.
Flying over Brisbane always makes me happy and sad - because you see all the sprawling chaos.

At night, all you see are roads and buildings and electric lights.
All the electricity being burned on a Saturday night just for security purposes in empty warehouses.
Lovely to gaze down upon. All taken for granted. But can we afford it?

The financial woes pressing down on world economies are tied up with scarcity - the scarcity of bare necessities.
If people aren't working - there's less taxes, less money for health and infrastructure.

Everybody's tied up with details on the ground too busy to pull back and see the big picture.
Maybe this conference would be a great opportunity to do just that.


Happiness seems to be a recurring theme for me at the moment.
Coca-Cola is also seeking to associate itself with Happiness.
I went through the motions of creating a digital campaign which I had intended to enter in the Content 360 competition that MIPTV.


MIPTV is the famous Cannes (as in South of France) annual gathering of the world's TV industry for a huge trade show - if you want to buy or sell TV to the world this is where you come.
But in recent years they've been interested in digital content and this year Coca-Cola and the ad agency Ogilvy lay down the challenge to create an idea for branded content that engages teenagers: a TV show, a web movie series, a mobile application.
I came up with: Discover the H-code.
The code for Happiness.

But I didn't submit it because it really disturbed me.
It was like I was Anakin Skywalker flirting with the dark side.
And in the end I abandoned the project - I could not turn.

This whole concept of branded entertainment is something I've been interested in for a while in story design.
At the Media 2010 conference last Friday I listened to the aspirations of top companies in this regard:  
Richard Titus, CEO of Britain's Associated Northcliffe Digital, is a very clever and creative man.
He's been at the forefront of digital media since the beginning.
He has his people now creating a single user profile for their customers across the group which includes The Daily Mail newspaper, jobsite and many other data and content businesses.

If you look for a job on their jobsite website they can cross reference the data they have when you start looking for real estate on their other website and they build a whole profile on you.
It's not new - everyone's doing it.
And they do want to install a prompt to pop up and allow you to edit the profile on you - if you wish.

The reason they want to know all about you is so they can "create an experience to delight the customer" in order to sell you stuff.
In other words it's all ADVERTISING - making a world that fits you like a glove, allaying all your fears so that you feel comfortable with buying stuff - their stuff.
Much more powerful advertising than we've ever seen before.

Now, if people are fully aware of what's going on and they can factor that into their thinking (ie they are educated and the process is transparent) then that seems fine.
But if we're marketing to teenagers who just go along for the ride (like the slug humans in Wall-E who spend their lives glued to screens and consuming) that's not fine.
It's not so much about government regulation as it is about education and awareness.
It's like technology is moving so much faster than governments, education and a lot of parents - who are probably even more vulnerable than their digitally literate children.
Don't take my word for it go to talk to an informed pediatrician who deals with kids whose lives have been jumbled by media consumption:
i-Kids: Children & the Media

Happiness is tied up with social and digital media these days: the mobile phone, the internet, Facebook.
We need to look at ALL the angles.
Just like big business is doing.

What do you think?

Rendering Authenticity in the Experience Economy. Joseph Pine TED Talk. Scriff File 244

Joseph Pine identifies a paradox in the act of giving a customer an "authentic" experience : All business is about providing a man-made product in order to make money.
"You Americans!"
So how can you be authentic in business?
Joseph Pine says think Shakespeare: "And this above all to thine own self be true and it doth follow as night the day that thou canst not then be false to any man." (at 7 minutes into video).
Ask yourself: Are you a Real fake or a Real real or a Fake fake or a Fake Real?
Is a Fake fake the same as a Real real?

Lisa's snide remark: "And they question the value of ART!"

Beyond Experience. Joseph Pine on partnership between Business & the Arts. Scriff File 246.

Joseph Pine released a report last year called Beyond Experience: it continues on the same theme of creating Authenticity for the Experience Economy.

 See Scriff File 244

I haven't yet read the report but you can download it here: http://www.artsandbusiness.org.uk/Central/Research/Branding-consumption/Beyon...

<p>Beyond experience: culture, consumer & brand - panel discussion from Arts & Business on Vimeo.</p>

As an Arts Reporter years ago, I interviewed an opera singer, theatre practitioners and visual artists who identified with this idea that business could learn from the arts and likewise the arts could learn from business. That was 10 years ago, it's not a new idea.

What's new is that Joseph Pine thinks it's key to unlocking the main ingredient customers value in a product or service : Authenticity.

"Are you a Fake fake, a Fake real, a Real fake or a Real real? - I think a lot of artists think they must not be tainted by business.

Businesses like advertising and media are in the culture business whether we like it, are conscious of it or not.

My niece *8* walks around talking fast talk interspersed with  "boom-chika!" on the end of a hip thrust and a huge grin - she's created her experience from a controversial TV ad for a men's deodorant. Yes, it drives women wild.  

I don't think she's even seen the ad, she's not allowed to watch commercial TV, her friend told her about it.

Business is not about enlightenment - Art is about enlightenment. How do you overcome this? - business has to care about more than the mighty dollar! That's authenticity.

I listened to the audio book: Trust Agents by Chris Brogan and Julien Smith. It's great in-depth journalism. They have in one book summed up the digital revolution as they've experienced it and given people an insight into how it works. Why is it that mainstream journalism has not been able to do this? Is it conflicted? Is it just ignorant? Smith and Brogan are big on authenticity.

Start hobbling, start walking, sprint if you can because you're going to need a head start on this voracious new generation coming up the track - unless your market is going to be skewed towards the authenticity of the 20th century for the older generations.

I reckon the integration of humanity and technology is just that far away and the arts is the only way to hold on to humanity.

Like Joseph Pine says, authenticity is about knowing yourself, about being connected, being true to yourself and to others.

The arts is the INTERFACE connecting us - images, video, music, film, stories ... yes, even design.

It's always connected us from the first lullaby and the first cave painting to Avatar.

But you have to learn to use an interface - don't you?

 

 

 

Sexpo supersite obscurs Russian Orthodox Cathedral in the lead-up to Easter. Scriff File 250

 
Parishioners of St Nicholas Cathedral have objected to council about this offending obscenity but to no avail.
This is the largest billboard the council ever allows - they call it a "supersite".
The porn star, Monica Mayhem, who appears in the billboard, responds in a comment on the Queensland Times story pleading the case for tolerance and understanding.

Posted by mmayhemxxx from USA (United States of America), None

03 February 2010 6:48 p.m. | Suggest removal » | Post reply »

Wow! I'm sorry to those of you who are offended by my pic. Yes, it's a provocative shot, but so are Victoria's Secret Ads. And this is just a bikini, not even lingerie.

I'm saddened that some of you think of the porn industry as dirty, when in reality, we are providing a service to the community, making lonely people happy, and helping couples spice up their relationships. This is what Sexpo is all about, its supposed to be fun, educational and open minded, don't put all pornstars in the category of dirty/skanky and std ridden. That's a complete misconception.

If you read my book 'Absolute Mayhem - confessions of an Aussie pornstar', maybe you'll think twice about the way you feel. (think what you will, shameless self promotion, but the book really will help you see things from a different perspective, and that's all I care about).

I understand as far as not wanting kids to see this, but they're not really advertising sex. And the pictures aren't explicit, any kid could see the cover of Maxim in a store and its pretty much the same style.

If you don't like sex and anything to do with sex, i'm sorry, but please don't ruin it for those who do. I know, your entitled to your own opinion and I accept that. But It's bad enough that the Australian government is so conservative to the point where hardcore porn is illegal! I mean really, who has the right to tell any consenting adult, what they can and cannot watch!

Well, the parishioners and school community think they have the right to feel comfortable in the community they actually inhabit - and they are not happy that the council has failed to represent their interests in favour of the interests of business. 

As Dr Gilbert Burgh, whose comment appears right at the bottom of the story comments, says the objections to the positioning of the Sexpo supersites are many and varied.

Dr Burgh, Ethics and Philosophy Lecturer at the University of Queensland, says:

 

Posted by pdgburgh from Sadliers Crossing, Queensland

11 February 2010 9:02 p.m. | Suggest removal » | Post reply »

I don't know why so many people are accusing those who find the billboard inappropriate as necessarily being prudes or wowsers! If you read many of the comments carefully you will see that many, if not most, of the objections are not about the amount of nudity but about what they see as displaying women as submissive or as being objectified. In other words, it is not about nudity per se but rather they way in which the woman is being depicted regardless of the amount of attire being worn.

The puzzling thing is that those people who are stereotyping those who have this kind of objection as prudes or wowsers are making the claim that there is no problem with the billboard solely on the basis that the woman is clothed, and in support of their claim compare the woman on the billboard with the scantily clad women on the beach and other adds where models are wearing much less. I can only infer from this that what they are trying to say is that the amount of clothing makes that difference, and that were the woman, for example, full nude then they might consider that the billboard would warrant being called inappropriate.

If like me, you see no problem with nudity, even on billboards, but object to negative images of women even if they are fully clothed (e.g. in submissive poses or imagery alluding to sexual objectification) then this, I think, is hardly what you would label as being a prude or wowser (if what you mean by these terms are someone who finds nudity or semi-nudity offensive).

This is a complex issue which requires a balance between freedom and censorship, the rights of adults to choose and the influences of exposure of adult themes to children who have not yet developed the capacity to make informed choices, and individual liberty and social responsibility. To see it as only nudity is to simplify the matter and to not understand what others are saying with regard to the effects of negative depictions of women. Moreover, if the degree of nudity were the only measure for deeming appropriate or offensive then would it not be the case that the bearer of such beliefs would more aptly fit the labels 'prude' or ' 'wowser'?

The Russian Orthodox community is sensitive because the weeks of Lent leading up to Easter is the holiest time of the year.

They have lodged an objection with the Advertising Standards Bureau also.

It does raise questions about the thinking of the councils. Don't you think?